![]() ![]() There may be hints that DASH, or at least Captain and Mizuki are onto Kaito’s identity, scolding him for believing Max needs to “prove” he’s a hero as opposed to simply performing acts without expecting fame or glory. But he goes in way over his head when he purposefully endangers himself during the monster’s first attack, in hopes of summoning Max and proving his heroism, only for it to backfire and him to get suspended from DASH. Though the UDF accepts the help he’s provided, they’re still weary of Max and label him as a potential threat, much to Kaito’s (justifiable) anger. Proof of a Brave Man (勇士の証明) – Another solid episode that involves Kaito learning not to rely upon Max. Eleking sports a slight redesign that looks very nice and would be great to see revised someday. It’s not quite clear why Kaito opts not to tell his fellow DASH members abotu the electric burn received on his arm by the woman when they investigate the monster signal in her apartment complex, other than to perhaps draw too much attention. There are some decent character moments for Kaito, Mizuki and android Elly, who’s slowly learning of human emotions. It almsot feels reminiscent of Return of Ultraman‘s Femigon. Here, he is portrayed in a much more manipulative fashion, essentially possessing a lonely, overworked woman to keep him hidden during the daytime. The Girl Who Keeps a Monster (怪獣を飼う女) – The return of Eleking, the first of the several classic monsters revived for the show. ![]()
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